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He asks what her name is. Django further says that Broomhilda was taught German so she could speak to her first masters and that her last name is von Shaft, an obvious reference to the blaxploitation classic movie Shaft. Is this a happier flashback for Django? Django is trying on different hats in the store, and he puts on a red top hat that sits awkwardly on his nappy hair. Schultz gives him a nonplussed reaction, and Django puts it back.
This is part of the subplot in which Schultz teaches Django to read and to speak more articulately. Django is wearing electric blue knee pants and a matching fancy blouse as he rides through a cotton field. Still, it makes one hell of an impact.
Costume designer Sharen Davis really deserved an Oscar nomination for this film, as I said in an earlier piece. Bennett, perhaps we got off on the wrong boot. Allow me to unring this bell. Now what you got to say to that? Ah, the spectacle of racism being overcome by the prospect of monetary gain! Seriously, though, Don Johnson is really funny in this role. See him opposite Kevin Costner in Tin Cup.
As they meet, Schultz requests that a slave woman escort Django across the grounds while the white men talk business. This, of course, is a pretext so that Django can spot the Brittles. Big Daddy calls Betina Miriam F.
Betina asks dimly if she should treat Django like a white man, and Big Daddy shuts her down quick. Bennett is forced to admit that he can see that.
He asks the housekeeper for the name of the white boy who works with the glass and tells Betina to treat Django just as she would Jerry. She calls his attention to one brother in a field a ways off. Django pulls out a telescopic lens and sees Ellis Brittle, a fellow with an eye patch, on a horse overseeing the slaves. Gainey , trying to give him reasons not to whip her.
Interspersed with this is a flashback within the flashback, as Django and Hildy make their run for freedom, with closeups of a terrified Hildy and then a shot of the two running across a field, with white men on horseback with torches gaining on them.
King Schultz is speaking with the four remaining slaves after freeing Django , he is holding the reins of his carriage with his right hand and is gesturing with his left hand.
When the camera-angle changes mid-sentence, he is holding the reins with his left hand and his right hand is suddenly raised. When Calvin Candie places the papers with the cake-plate down, in the next shot, the plate is next to the papers, and subsequently back on top. King Schultz and Django are riding into Daughtrey, they encounter a young goat-herder with a herding staff in his left hand and a leashed goat in his right.
In the next shot, the staff is in his right hand, and the goat in his left. Lil Raj's body changes positions between shots when Django is firing at him.
After Calvin Candie signs Broomhilda's papers, Dr. King Schultz speaks about D'Artagnan, and about Mr. Candie naming him. However, Mr. When Calvin Candie is sitting in the library eating white cake, the bottom of the piece of white cake on the plate is on the right, when camera switches and comes back, the piece is flipped over.
As Calvin Candie rides in the carriage towards his house, the smoke from his cigarette blows away to his right. When the carriage then parks up for him to introduce Dr. King Schultz and Django to Stephen, the smoke is blowing across in front of the house, i. Moguy changes positions in between shots. After Django shoots John Brittle in the chest the blood trail on the piece of paper changes between shots. Is this interesting?
King Schultz is casually mentioning to Broomhilda that there is a "friend" on the other side of the door behind her, many reflections of activity by the crew and camera are seen reflected in the glossy bedpost behind Schultz, as he sits in his chair. Neither character, in this scene, is moving. In the film, there is a cotton-plantation located in Gatlinburg, Tennessee. This region The Grand Division of East Tennessee is very mountainous and inhospitable for cotton, preventing large plantations from arising.
As a result, the region had a low slave-population which translated to anti-slavery and pro-Union sentiments in the years leading to the Civil War. The plantation in Tennessee is covered with Spanish Moss. Spanish Moss is native to the deep south and doesn't grow as far north as Tennessee. When the Australians release Django while traveling to the mine, the backdrop is no longer Mississippi or the South, but the Southwest desert, yet Django rides back to the plantation that day.
The form "Broomhilda" is known only from the comic strip "Broom-Hilda" which started in and is meant as a joke. It is a fake fire and the wood in the fire is not burning at all. At the start of the movie, the credits say that it takes place in , "two years before the start of the Civil War". The Civil War started in April of , three years after the movie begins, not two. Almosty everybody in the film seems to have perfectly white teeth, even the slaves.
In realty, it would be very unlikely for all those people to have white and healthy teeth in the s. Because slaves probably didn't even have the chance to get any dental care, nor even had a tooth-brush and tooth-paste. And most others were likely to be in the habit of chewing tobacco. And personal hygiene was not very common and was probably not practiced at the extend that it does today. It all makes the opening sequence even more ironic, considering that one of the main characters, a dentist, arrives in a mobile dental clinic.
When Big Daddy and his men are attacking Dr. King Schultz's and Django's camp at minute mark, one of the riders falls from his horse and is ran over by another horse as his horse continues riderless. One of the songs mentions the Colt This firearm was not invented and distributed until When Django shoots Smitty Bacall, a puff of smoke comes out of Smitty Bacall's back and rises into the air.
Since a bullet contains no powder, there should be no smoke. On the final page of the end credits, the word 'fictitious' is incorrectly spelled as 'ficticious'. The men in hoods pursuing Dr. King Schultz and Django are often mistaken for the KKK, which was not founded until 7 years after the events of this movie, in During the opening credits, the Speck Brothers have Django and five other slaves in chains. King Schultz catches up to them after the credits, there are only four other slaves.
However, this is because the slave-march depicted in the opening credits takes place over a week or more. At least one of the actors is different, because slaves were swapped out along the march, possibly including death. It has been stated in interview that this was deliberate, to depict the way a slave-march would actually be. Calvin Candie is seen smoking cigarettes in several scenes. The year is The cigarette was not mass-manufactured in the USA until However, cigarettes were widely distributed in Europe at the time, and since Mr.
Candie is a wealthy Francophile, it is not unreasonable that he would have them imported from France. The innkeeper tells Dr. King Schultz that he will not be open for an hour, and will be serving breakfast, not beer. But when Schultz draws beers for himself and Django, the stick that Schultz uses to clear the foam's "head" from the glass is already wet, indicating that it had been used earlier that day or in an earlier take.
It is always possible that the innkeeper poured a drink for himself or for a friend. When Django lights the fuse to blow up Candieland the sparked-fuse burns from right to left up over the door, cut to the last shot of Stephen, and return back at lit fuse, which is now burning from left to right, but then cut again, and it hits the dynamite from right to left, the original burning direction.
The fuse is zig-zagged a few times. During the "skull-monologue", the skull of Ben the servant of Calvin Candie's father is actually a woman's skull.
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